Photograph
Maker & role
Ms Anne Zahalka, Artist
Production date
2001
See full details
Object detail
Title
Guangan Wu, Market Gardens, Kyeemagh, 2001
Production place
Collection
Measurements
H: 66 x W: 166cm (H: 660 x W: 1660mm)
Subject Place
Credit line
Purchase, 2002
Museum of Sydney Collection, Museums of History New South Wales
Museum of Sydney Collection, Museums of History New South Wales
Description
Photograph taken by Anne Zahalka of Guangan Wan in a market garden. In the photograph Guangan is holding an envelope containing ‘lucky money’ or token money given to him on leaving his home to bring prosperity in a new country. Guangan arrived in Sydney 10 years ago from mainland China. He works in a market garden in southern Sydney where members of his family have worked for more than 50 years. Adjoining the runways of the Sydney Airport, these market gardens seems to connect symbolically the periods of migration to Australia. Since 1840 they have been contrasted by different ethnic groups including Irish, Cornish, German and Chinese.
The photograph is part of a series of 17 colour images titled, 'Welcome to Sydney' by Anne Zahalka, commissioned initially by Sydney Airport Corporation. The work consists of a series of panoramic images of immigrants in various Sydney locations, each person holding an object from their homeland that is personally or culturally important and connects them with their place of origin.
The convention of advertising, cinema and tourist imagery are employed in the series as the artist plays with the usual ways these media portray Sydney landscapes and people. All the portraits are taken in public places, some backdrops being familiar sites such as Bondi, Sydney Harbour and the city metropolis, others lesser known urban landscapes in suburbs such as Cabramatta and Bankstown, representing the demographic trends of migrant settlement. The series explores both displacement and belonging in the migrant experience. Some of the subjects seem culturally and geographically dislocated, while others seem to have been seamlessly transported into the new landscape. The artist makes visual plays and associations between each person and the new landscape they find themselves in.
The photograph is part of a series of 17 colour images titled, 'Welcome to Sydney' by Anne Zahalka, commissioned initially by Sydney Airport Corporation. The work consists of a series of panoramic images of immigrants in various Sydney locations, each person holding an object from their homeland that is personally or culturally important and connects them with their place of origin.
The convention of advertising, cinema and tourist imagery are employed in the series as the artist plays with the usual ways these media portray Sydney landscapes and people. All the portraits are taken in public places, some backdrops being familiar sites such as Bondi, Sydney Harbour and the city metropolis, others lesser known urban landscapes in suburbs such as Cabramatta and Bankstown, representing the demographic trends of migrant settlement. The series explores both displacement and belonging in the migrant experience. Some of the subjects seem culturally and geographically dislocated, while others seem to have been seamlessly transported into the new landscape. The artist makes visual plays and associations between each person and the new landscape they find themselves in.
Accession number
MOS2003/1-9
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